Posts Tagged With: suggestions

KNOT WHAT YOU THINK – ode to trees

REID FAMILY

REID FAMILY

My family likes trees and recently we explored the twisted ancient pine forests in California’s Eastern Sierra Mountains. During our day-hikes to some of the Mammoth Lakes and then camping in the steep canyons of Whitney Portal, we found some magnificent trees that are worthy of sharing. What made our adventurous hikes entertaining was the discovery theme of “knot what you think.”  In photographic terms; juxtaposition perception having fun with our iPhone cameras with the craziest trees we could find. Knot What You Think…ode to trees. The Reid Family.

P.S. no trees were injuring during the filming of this event ; )

 

 

KNOT WHAT YOU THINK.

KNOT WHAT YOU THINK. Juxtiposition in a tree circle at Mammoth Lakes.

KNOT WHAT YOU THINK. Juxtaposition in a tree circle at Mammoth Lakes.

KNOT REAL.                                                                                                               KNOT RIGHT.

KNOT REAL. Juxtiposition in a tree circle at Mammoth Lakes.

KNOT REAL. Juxtaposition in a tree circle at Mammoth Lakes.

KNOT RIGHT. Hanging from a giant stump in Mammoth Lakes, California.

KNOT RIGHT. Hanging from a giant stump in Mammoth Lakes, California.

 

 

 

 

 

 

 

 

 

 

 

 DREAD KNOTS

DREAD KNOTS. Root system at McCloud Lake at Mammoth Lakes, California.

DREAD KNOTS. Root system at McCloud Lake at Mammoth Lakes, California.

 

WHY KNOTS.                                                                               SQUARE KNOT.

WHY KNOTS. Y shaped trees at Whitney Portal Campground near Lone Pine, California.

WHY KNOTS. Y shaped trees at Whitney Portal Campground near Lone Pine, California.

SQUARE KNOT. Crazy extended tree at Lake Mary in Mammoth Lakes, California.

SQUARE KNOT. Crazy extended tree at Lake Mary in Mammoth Lakes, California.

 

 

 

 

 

 

 

 

 

 

 

KNOT SAFE.

KNOT SAFE. Walking the log at McCloud Lake at Mammoth Lakes, California.

KNOT SAFE. Walking the log at McCloud Lake at Mammoth Lakes, California.

 DO KNOT DISTURB

DO KNOT DISTURB. Camping at Coldwater Creek at Mammoth Lakes, California.

DO KNOT DISTURB. Camping at Coldwater Creek at Mammoth Lakes, California.

 

KNOT ONE OF US.                                                                                             KNOT MARRIED.

KNOT ONE OF US. Pinecone wedge in a pine tree at Mammoth Lakes, California.

KNOT ONE OF US. Pine cone wedge in a pine tree at Mammoth Lakes, California.

KNOT MARRIED. Twisted logs at McCloud Lake in Mammoth Lakes, California.

KNOT MARRIED. Twisted logs at McCloud Lake in Mammoth Lakes, California.

 

 

 

 

 

 

 

 

 

 KNOT FOR SALE

KNOT FOR SALE.  Juxiposed stuffie big bear at Mammoth Lakes, California.

KNOT FOR SALE. Juxtaposed stuffed big bear at Mammoth Lakes, California.

and finally to the crazy July weather and rain optimism…..

HAIL YES

HAIL YES. Hail at the Whitney Portal Campground in July.

HAIL YES. Hail at the Whitney Portal Campground in July.

 

Categories: Adventure, iPhone, Natural World, Panorama, Photography Techniques, Travel | Tags: , , , , , , , , , , , , , , , | Leave a comment

Surf Art Photos

Grandstand and crowd at the Rincon Classic surf competition in Carpinteria, California on January 25, 2015.

Grandstand and crowd at the Rincon Classic surf competition in Carpinteria, California on January 25, 2015.

The final day of the Rincon Classic surf competition was greeted with perfect waves on a balmy January day with plenty of tanned skin exposed to the Southern California sun. It was a hot afternoon while talented surfers worked their magic on clear blue waves.

 

Pro Semi Final at the Rincon Classic surf competition in Carpinteria, California on January 25, 2015.

Pro Semi Final at the Rincon Classic surf competition in Carpinteria, California on January 25, 2015.

Bright backlit mid day sun reflecting off the ocean is one of the more challenging lighting for photography. One solution is turning your “classic” stop action scene into a “Surf Art Photo.” Using a combination of filters and a tripod can create magic time exposure images with the right equipment.

King of the Queen Final at the Rincon Classic surf competition in Carpinteria, California on January 25, 2015.

King of the Queen Final at the Rincon Classic surf competition in Carpinteria, California on January 25, 2015.

First is a sturdy tripod placed on a rock well about high tide and the steady stream of spectators. Next are two stacked filters; 4 stop neutral density and a circular polarizer mounted on my 80-400mm Nikon lens. I set my ISO to 100 and varied my shutter speed from between 1/160 second to .6 (or 3/5) second. The best exposure mode was aperture priority which I varied from f/5.6 to f/40 and relied on continuous auto focus for sharpness. Most of the 900 images where shot at 400mm.

Gremlin Finals at the Rincon Classic surf competition in Carpinteria, California on January 25, 2015.

Gremlin Finals at the Rincon Classic surf competition in Carpinteria, California on January 25, 2015.

Panning the camera to follow the surfer at slow shutter speed requires lots of luck blended with a tai chi motion. About a dozen serendipitous moments happened on Sunday when everything came together to create that magical image. The selected aperture creates the correct exposure while panning the camera on a talented surfer on a uncrowded perfect wave. The bright sun created the specular highlights on the backlit water and made the waves a transparent blue.

Longboard Final at the Rincon Classic in Carpinteria, California on January 25, 2015.

Longboard Final at the Rincon Classic in Carpinteria, California on January 25, 2015.

What a magical day in Southern California at the Rincon Classic.

January 25, 2015

Categories: Adventure, Photography Techniques | Tags: , , , , , , , , , , , , , | Leave a comment

Top Ten 2014 iPhone Panorama – tips and techniques

In October, I upgraded my iPhone from a 4s to a 6 and proceeded to snap 5,500 images in its first month. My $99 iPhone 4s has captured over 11,000 assets in its two loyal years and now has been proudly handed down to my daughter. These phones have survived punishing weather while traveling the globe entertaining guests while working on assignment for National Geographic aboard Lindblad Expedition ships. I think of the paradigm shifts in the photography industry in my last 30 years and have to admit that the smartphone has been the greatest advancement, even more than film to digital.

The following top ten panorama photos were taken on my iPhones during 2014 and each image is accompanied with a photography tip and technique. The smartphone has changed the way we process our visuals as we share countless photos uploaded to social media. It has also changed the way we teach photography which is evident by the responses I have received from satisfied guests. Being able to do a live iPhone photo demonstration in front of 100 guests is evolutionary and certainly a wonderful device for connecting people across all photographic abilities.

Panorama of sand dunes and the Pacific Coast Highway near Malibu, California.

Panorama of sand dunes and the Pacific Coast Highway near Malibu, California.

#10 Pacific Coast Highway Sand Dune
10/18/14, 1:15pm
Panorama of person climbing a 400 foot sand dune above the Pacific Coast Highway near Malibu, California.

Symmetry and Simplicity – Look for a simple composition with equal proportions on either side of the image.

Panorama of the London Undergroud train at an empty station in London, England.

Panorama of the London Underground train at an empty station in London, England.

#9 London Underground
10/22/14, 4:20pm
Panorama of a train in the London Underground or Tube at an empty station in London, England.

Distortion – Take advantage of the known barrel distortion to give your image a spherical look. Much like a cropped fisheye lens where the magnification decreases with distance from the optical center.

 

Panorama of the shipwrecked sealing vessel, the Protector III In front of the Barnard House on New Island in the Falkland Islands.

Panorama of the shipwrecked sealing vessel, the Protector III In front of the Barnard House on New Island in the Falkland Islands.

#8 New Island
11/12/14, 8:35am
Panorama of the shipwrecked sealing vessel, the Protector III in front of the Barnard House on New Island in the Falkland Islands.

Landscapes – Selecting the correct proportion and creating visual anchors are important.  Establish your height/width ratio and beginning/end of your image by doing a test pan. The camera crops approximately 10 percent from all sides so give yourself some additional room.

Vertical panorama of Multnomah Falls in the Columbia River Gorge, Oregon.

Vertical panorama of Multnomah Falls in the Columbia River Gorge, Oregon.

#7 Multnomah Falls
10/14/14, 3:06pm
Vertical panorama of the Multnomah Falls, combined 620-foot waterfalls in the Columbia River Gorge, Oregon.

Vertical – Turning your camera horizontally in your hand and panning vertically can benefit certain subjects like waterfalls and forests. The camera will not realign when turned so ignore the arrow which is designed only for horizontal photos.

Panorama of the sunset on Mondos Beach near Ventura, California.

Panorama of the sunset on Mondos Beach near Ventura, California.

#6 Mondos Beach
1/2/14, 4:44pm
Panorama of the sun reflecting of a beach house at low tide on Mondos Beach near Ventura, California.

Reflections – Double your visual assets with reflections from windows or water. By relocating your camera left or right ever so slightly, you can capture reflections during key lighting situations.

Panorama of 'Blood Swept Lands and Seas of Red' art installation of red ceramic roses at the Tower of London, England.

Panorama of ‘Blood Swept Lands and Seas of Red’ art installation of red ceramic roses at the Tower of London, England.

#5 Tower of London
10/24/14, 3:08pm
Panorama of ‘Blood Swept Lands and Seas of Red’ art installation of red ceramic roses at the Tower of London, England.

Right to left panning can save your image. Your camera defaults to left to right panning motion but by selecting the right side of your image, you can pan from right to left. With this image, I started from the right and panned slowly left while waiting for people to move out of the frame.

Panorama of the National Geographic Sea Bird bow in Gut Bay on South Baranof Island in Southeast Alaska.

Panorama of the National Geographic Sea Bird bow in Gut Bay on South Baranof Island in Southeast Alaska.

#4 Gut Bay
6/11/14, 6:29am
Panorama of the National Geographic Sea Bird bow in Gut Bay on South Baranof Island in Southeast Alaska.

Asymmetry – Offsetting your subject to the left or right side of the frame leads the viewers eyes into visual thirds or rules of thirds. Dividing your subjects into vertical thirds also helps create a compelling composition.

Panorama of the National Gallery in Trafalgar Square in London, England.

Panorama of the National Gallery in Trafalgar Square in London, England.

#3 National Gallery
10/20/14, 12:26pm
Panorama of Nelson’s Column in Trafalgar Square and The National Gallery facade in London, England.

Motion – If you include people, its advised to inspect all faces and appendages before posting online or end up on “panos gone wrong.”  For crowds look for distant people while panning quickly and for close ups pan slowly and have your subject still. See double exposure for another fun trick.

Panorama of a king penguin colony and the Allardyce Range at Saint Andrews Bay, South Georgia Island.

Panorama of a king penguin colony and the Allardyce Range at Saint Andrews Bay, South Georgia Island.

#2 Saint Andrews Bay
11/19/14, 5:20am
Panorama of a king penguin colony and the Allardyce Range at Saint Andrews Bay on South Georgia Island.

Wildlife – Many variable to consider when working close up with wildlife. Foremost is not disturbing the animals so be patient. When an opportunity arises, use your subject as a visual anchor and include the background for impact.

Stunning panoramic sunset in the Lemaire Channel, Antarctica.

Stunning panoramic sunset in the Lemaire Channel, Antarctica.

#1 Lemaire Channel
11/25/14, 10:59pm
Panoramic sunset in the Lemaire Channel, Antarctica.

Exposure – Locking the exposure and focus is the most useful feature on the camera. Panorama often cover a wide range of exposure to the sun so find an average within your composition, many times in the center. Hold your finger on your screen over this average exposure until a yellow box plus AE/AF LOCK appears. Return to your original left or right position and pan with the exposure and focus locked on your selected spot. Works amazing!

Categories: Adventure, Alaska, England, iPhone, Lindblad Expeditions, London, National Geographic, Panorama, Photography Techniques, Travel, Wildlife | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Top 10 iPhone Panoramas

Top 10 iPhone Panoramas of 2013

The following are my top ten iPhone panorama photos from this year and a few lessons learned after 6,000 plus attempts….

• A steady hand and smooth panning will achieve the best results.
Great light is everything when your dealing with a fixed 4mm f/2.4 lens.
Composition includes anchoring your sides and looking for symmetry.
Double Exposed works best when your subject is about 10 feet away.
• Set your focus and exposure on a neutral tone somewhere in the center.

Special thanks to National Geographic Expeditions for assigning me to these incredible locations. Image are from the Galapagos, Hawaii, Washington, California and Alaska. Enjoy. Rich Reid Photography

Panorama of the Santa Barbara from the Courthouse Observation Tower in Santa Barbara, California.

Panorama of Santa Barbara from the Courthouse Observation Tower in Santa Barbara, California.

Panorama of Rock Creek Lake in the Eastern Sierras, California.

Panorama of Rock Creek Lake in the Eastern Sierras, California.

Panorama of fishing pangas moored in Puerto Ayora harbor on Santa Cruz Island in the Galapagos Islands, Ecuador.

Panorama of fishing pangas moored in Puerto Ayora harbor on Santa Cruz Island in the Galapagos Islands, Ecuador.

Panorama of the Santa Barbara Harbor from a fishing boat in Santa Barbara, California.

Panorama of the Santa Barbara Harbor from a fishing boat in Santa Barbara, California.

Panorama of Punta Pitt on San Cristobal Island in the Galapagos Islands National Park and Marine Reserve, Ecuador.

Panorama of Punta Pitt on San Cristobal Island in the Galapagos Islands National Park and Marine Reserve, Ecuador.

Panorama of the palm-lined Kalapaki Beach in Nawiliwili Harbor on Kauai, Hawaii.

Panorama of the palm-lined Kalapaki Beach in Nawiliwili Harbor on Kauai, Hawaii.

Panorama of the 198-foot Palouse Falls and river in Palouse Falls State Park, Washington.

Panorama of the 198-foot Palouse Falls and river in Palouse Falls State Park, Washington.

Panorama of Gardner Bay beach on San Cristobal Island, Galapagos National Park, Ecuador.

Panorama of Gardner Bay beach on San Cristobal Island, Galapagos National Park, Ecuador.

Panorama from the National Geographic Sea Lion bow and the Fairweather Range in Glacier Bay National Park and Preserve, Alaska.

Panorama of the National Geographic Sea Lion bow and Fairweather Range in Glacier Bay National Park and Preserve, Alaska.

Panorama of sunset over the Asilomar Coastal Trail in Pacific Grove, California.

Panorama of sunset over the Asilomar Coastal Trail in Pacific Grove, California.

Categories: Adventure, Alaska, iPhone, National Geographic, Natural World, Panorama, Photography Techniques, Travel | Tags: , , , , , , , , , , , , , , , , , , | Leave a comment

Time-lapse Collection 2012 Showreel

My time-lapse showreel arrived a bit late this year but here it is…

2012 was an exciting travel year from Svalbard, Norway to Northern Arizona photographing polar bears to ancient Sinaguan monuments. Time-lapse challenges with equipment and software were numerous and new workflows and techniques were forged by inevitable progress.

The monarch butterfly metamorphosis was the most challenging and educational. See my post on the process of capturing this impressive macro event in my studio.

The day-to-night time-lapses are the most difficult to capture smoothly and I tried several new dissolve techniques with varying degrees of success. The big tip is to know the moon phase and other celestial events that will influence your lighting. Shooting in RAW is critical.

Traffic was a new subject tested last year and I discovered the twilight hours produced the best results with a setting of a 1:2 ratio of exposure to interval. A stable platform is a must.

Astrophotography is one of my favorite time-lapse subjects and 2012 offered us a rare chance to witness a full solar eclipse which I botched due to my tripod. Lesson learned long ago was to use a two tripod or mono- tripod combo to stabilize long lenses. And good luck focusing.

My equipment performed flawless this year accept for crossing the leads on a 12v battery which melted. Always cover open battery leads! My Nikon D7000 dealt with extended freezing and hot conditions without any problems. Really hope to use the Dynamic Perceptions MX Dolly more in 2013 with planned car travel.

Some of the software used to create this showreel includes; Photoshop, Bridge, After Effects, Final Cut Pro, Motion, LRTimelapse and Starstax.

My new favorite app is The Photographers Ephemeris  (TPE). It saved me hours of scouting for my time-lapse workshop and worked flawless when we scuttled to Plan B because of fog.

Please join me at one of my time-lapse workshops over the next few months:

ASMP San Diego Time-lapse Photography Lecture & Workshop: May 9 & 11, 2013 in San Diego, California.
Brooks Institute Time-lapse Photography Workshop: July 12-14, 2013 in Ventura, California.

Thanks, Rich.

richreidphotography.com
timelapsecollection.com
richreidphoto.wordpress.com/

Music by Alexander Maas, MUX, iStockphoto

Categories: Natural World, Photography Techniques, Time-lapse Techniques, Travel, Workshop | Tags: , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

12 Suggestions to Become a National Geographic Photographer

Each week, I receive emails from high school students researching career week to professional photographers requesting suggestions on how I got involved as a National Geographic photographer. The two simple answers are with dedicated persistence to the art and lots of honest hard work.

Looking back at my 25 years as a freelance photographer in the adventure travel industry and producing several assignments for National Geographic, here are 12 valuable lessons I would like to share:

Photography should be your obsession and not a hobby. Perhaps my best visual training was printing millions of marginal photos while managing a 1-hour lab. Develop your own unique style through visual immersion.

Working as a college newspaper and yearbook photo editor introduced me to the business end of the industry managing budgets and assigning projects. You will need business sense to survive as a professional photographer. The reality is 80% of my time is dedicated to business and the other 20% is travel and producing work.

• Communication is key! Always follow up with clients and keep your promises. Your word is the most powerful tool in this industry so keep a viable database and contact your clients regularly. Formal emails and phone calls are still the preferred communication even in this crazy “mobile” world.

As cliché as it sounds; pursue your passion and the money will follow. Success rates will rely on two variables; time and money. My two passions that I have consistently pursued have been wildlife conservation and adventure travel. Early in my career, I partnered with non-profits and travel companies that shared my passions then and now.

• Knowledge is power and ignorance is not an option. Becoming passionate about your subjects and your research will show in your production. Being open-minded and conscious about sensitive subjects and peoples’ values while filming is mandatory as a journalist.

• Value your work. If you don’t, then nobody will. One of the biggest mistakes starting out is selling yourself short in this industry of rejections. Free is not an option, even “for credit and exposure” as been repeatedly quoted over the years. Remind the editor that “Income minus Expenses equal Profit.”

Respect is everything.  The environment and wildlife do not have voices so you need to stick to your ethics and behave like a photographer. Respect other “artists” intellectual property because we are a small group of professionals working together in a volatile industry.

• Honesty is the best policy. Its a small world out there so emit positive vibes and never deceive. Truthful captioning in this digital world is more important than ever.

Joining a professional organization will help you share ideas with like minded people, network with potential clients and give you power in number to create positive legislation for our industry. Personally, I joined NANPA from the very beginning because they share my visions and ethics as a “nature photographer.” Another bonus is affordable business insurance.

• Being both mentally and physically flexible are important. Physically stay fit since camera equipment does not get any lighter and assignments seem to get more demanding. Mentally you need to be competent to constantly alter your workflow due to industry change in software technology and client requests. Examples would be the paramount change from film to digital and more recently the increase demand for assignment video.

Buy the equipment you need not want. This is a tough one with so many options and great incentives with new cameras. As a professional, I always buy two of the same camera bodies and usually the best lenses I can afford. Last year’s DSLR models are more reasonably priced and the hardware more stable. If you wait for a least one firmware update before purchasing a camera, you’ll avoid being a beta tester. About every two years, I upgrade to newer camera models.

Give back more than you receive. This is perhaps the most ethereal but also the most important topic mentioned. Whether its mentoring a photography student or donating your time to a non-profit, giving back to the industry will ensure its future and viability for many generations.

So the reality of being a freelance photographer are days of monotonous office time, hours of software troubleshooting, fixing broken equipment, constant self-promotion and an unpredictable P&L. There are also no vacation pay, sick days, medical plans and matching contributions. Days often begins at 5am and end around 9pm.

So why do I do this? Its the best job ever!

If your passion is to work with all types of people from all walks of life in all corners of the globe under unpredictable conditions with a scant reality of the outcome….then this is a job for you.

Now that we got the basics covered; be the most honest creative photographer you can and be sure to share your experiences with someone who will appreciate your work. Go Create!

Rich Reid on assignment for The Nature Conservancy in Moody Forest near Baxley, Georgia.

Rich Reid on assignment for The Nature Conservancy in Moody Forest near Baxley, Georgia.

Categories: Adventure, Photography Techniques, Travel | Tags: , , , , , , , , , , , , , | 1 Comment

Monarch Butterfly Metamorphasis

An aphid next to a monarch butterfly, Danaus plexippus egg attached to Mexican Butterfly Weed or Scarlet Milkweed, Asclepias curassavica in a garden in Oak View, California.

An aphid next to a monarch butterfly, Danaus plexippus egg attached to Mexican Butterfly Weed or Scarlet Milkweed, Asclepias curassavica in a garden in Oak View, California.

A young girl watching a monarch butterfly, Danaus plexippus caterpillar eating Mexican Butterfly Weed or Scarlet Milkweed, Asclepias curassavica in their school garden in Meiners Oaks, California.

A young girl watching a monarch butterfly, Danaus plexippus caterpillar eating Mexican Butterfly Weed or Scarlet Milkweed, Asclepias curassavica in their school garden in Meiners Oaks, California.

Monarch butterfly, Danaus plexippus mature caterpillar feeding on swamp milkweed in Oak View, California.

Monarch butterfly, Danaus plexippus mature caterpillar feeding on swamp milkweed in Oak View, California.

Monarch butterfly, Danaus plexippus chrysalis metamorphosing into a butterfly in a studio in Oak View, California.

Monarch butterfly, Danaus plexippus chrysalis metamorphosing into a butterfly in a studio in Oak View, California.

Monarch butterfly, Danaus plexippus attached to its chrysalis during its first hour of life in Oak View, California.

Monarch butterfly, Danaus plexippus attached to its chrysalis during its first hour of life in Oak View, California.

Monarch butterfly, Danaus plexippus attached next to his chrysalis during his first hours of ermerging in Oak View, California.

Monarch butterfly, Danaus plexippus attached next to his chrysalis during his first hours of ermerging in Oak View, California.

Its December and monarchs are still emerging from their chrysalises because of the mild weather in California. Our garden was host to dozens of caterpillars this season that metamorphosed into the migrating generation of butterflies that will eventually hibernate this winter along the Pacific Coast.
After many outdoor attempts, I finally captured two time-lapses of a caterpillar transforming into a chrysalis and then into a butterfly in my indoor studio.

Technical Details:
Camera: Nikon D7000 with a macro 105mm lens at f/8.
JPEG 5,000 x 3,200, ISO 100 at 1/4 second exposure with a single light source.
sRGB color profile and manual white balance 3200k

Basic Workflow:
I used Bridge to selected 300 out of 2200 images for the first time-lapse and 400 out of 3000 images for the second time-lapse. Opened in Camera RAW and made adjustments, batch image processed into a folder. Import folder into Final Cut Pro and then export as an ProRes 422 quicktime file.

Music:
YeeHa Banjo Bill, The Tune Saloon, iStock Audio
Spycraft, Piotr Pacyna, iStock Audio

Categories: Natural World, Photography Techniques, Time-lapse Techniques, Wildlife | Tags: , , , , , , , , , , , , , , , , , | 1 Comment

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